Specially optimised for Leica M-lenses and compatible with Leica R-mount lenses from the company’s film SLR days with an adapter, it’s a different sensor to the one used within the Leica Q (Typ 116) and Leica SL (Typ 601). At the heart of the camera lies a 24-million-pixel, full-frame, CMOS sensor, which excludes a low-pass filter and outputs 68.1MB files that measure 5976×3984 pixels.
#Leica viewfinder movie#
Stripped of movie recording and the Typ model identity that’s associated with Leica models in the past, the M10 is designed as close as possible to Leica’s analog M-system cameras in an attempt to create the best balance between heritage and technical innovation. With their latest release, Leica has created a rangefinder that should not only satisfy brand-loyal users who desire the best build quality, but also purists who’s sole interest lies in stills photography.
It has taken a few years, but the manufacturer seems to have listened to its users and taken this feedback onboard. Rather than adopting the same approach as other brands, many Leica users felt they should focus on creating what they’re best known for – a legendary M-system stills camera and one that shares all the hallmarks of a traditional analog M-series cameras. The M10 was paired with the Leica Summilux-M 35mm f/1.4 ASPH FLE for our product images
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